Limited Access Festival for Moving Images, Sound and Performance celebrated its 12 year anniversary this summer with the 8th edition at 6+2 locations in Tehran, followed by an Event in Isfahan.
Parkingallery projects and Limited Access Festival present in collaboration with Aban Art gallery Mashhad:
“The wandering islands” video program from Limited Access Four, will be screened at Aban Gallery in Mashhad from Jan 24-28th, 2014. “The wandering islands” is curated by Amirali Ghasemi from Parkingallery Video Archive,
and kindly organized by Saeed Mazinani
Videos and short experimental films by: Arash Khosronejad | Allahyar Najafi | Minoo Iranpour | Bahar Samadi | Amirali Mohebbinejad | Paran Pour | Azadeh Nilchiani | Aliyar Rasti | Maryam Espandi | Maziyar Pahlevan | Neda Moradi | Shirin Mohammad | Niloufar Zolfaghari | Nassrin Nasser | Anita Esfandiari | Sona Safaei | Amir Bastan | Sasan Abri | Mani Nilchiani | Rambod Vala and Neda Razavipour | Icy & Sot | Sina Haghani | Ramin Rahimi
Daily visiting hours: 10:00 – 12:00 & 17:00-20:00
Abnous Alborzi, Mahtab Alizadeh, Maryam Niazadeh, Maryam Oskouei
6-17 Dec, 2013
Continue reading Haphazardly | Photography Exhibition | Faramarzi Gallery – Tehran
Déjà Vu is a group video installation show curated by Golzar Hassanzadeh for Aun Gallery. Participant Artists are Golzar Hassanzadeh, Abbas Kiarostami, Abtin Mozaffari, Hessam Nourani, Shadi Noyani, Hamed Safaee and Parham Taghioff, The show puts together various image makers/artists together around the theme in an unusual setting designed by Borna Amadi and Amirali Ghasemi.
40 Seoul Avenue, Vanak , Tehran – 19958, IRAN
Telephone:+98 21 88603050
One: The Forms, Two: The Plural Tense
One: The Forms, Two: The Plural Tense, is a combination of art works which look into contemporary forms of relating, theoretical trauma, part/whole relationships, change in time and duration. These notions will be explored through number of videos installations and physical art objects. There will be two bodies of artworks consisting of different parts that constantly refer to each other and the entirety. Lanie Chalmers attempts to analyze the shaping of unstable identities and Sona Safaei studies the relationship between parts of an incomplete whole questioning how existing parts are related to each other.
Opening: [March 8, 2013] 7 pm- 10 pm
Exhibition dates: [March 7 – 17, 2013]
Hours of Operation:
[Mon – Wed by appointment]
[Thurs – Sat 12-6pm]
2988 Dundas Street West
Toronto, Ontario M6P 1Z4
Supported by OCAD University
Programmed by Shahpour Pouyan (NYC) and Amirali Ghasemi (TEHRAN) from Parkingallery’s video archive “Video-therapy, Session one : Recovery” is an hour long video program which will be played in loop. The program features works by international artists living in Iran, United States, France, Netherlands, Finland, Germany, Malaysia and India .
Location: Stueben Gallery at Juliana Curran building,
200 Willoughby Ave, Brooklyn, 11205
Amirali Mohebbinejad’s My Calm Town is a an experimental film realized in 2008.
It addresses a global issue, how the media can project certain images, distorting them to cast shadows of conflict, terror and the threat of war. Incidents which are subject to happen anywhere in world, whenever tensions are needed to arise. The moving images are appropriated from high definition footages from residential villas in an unknown city suburbs in Latin America, shot by a cameraman which was sent there by the commission of an Iranian mega construction company. The brief was to shoot beautiful images which later can be shown to the engineers whom are being sent by the company, encouraging them to live and work in bilateral projects overseas. Mohebbinejad created a contradictory soundscape for these footages, while giving them a 8mm old movie look. Static and peaceful frames possibly shot from a tripod where actually not much happening in them.
[this is about] Magnifying the contrast between real events and the deceiving, beautified and distorted output of reality, given by the media, by proposing contrast between sound and image.
This is about reproducing the reality and representing it as an original.
This is about not having trust on media.
This is to question the “Truth”.
Check more on Amirali Mohebbinejad here : ilarima.com/
Pouya Ehsaei & Amir Rad
Part of Me: mise en abyme, a video program in two parts curated by Amirali Ghasemi and Sandra Skurvida for the Iranian Arts Now festival and exhibition, June 23 – July 24, 2012
Cité international des Arts, Paris
Opening reception: Saturday June 23, 6 – 9 PM
Exhibition open 2 – 7 PM daily except Sundays and July 14th
Part of Me is performance, part of me is poetry, and part of me is pain, pain that may not have visible symptoms. My part here is to deliver nothing spectacular, but something delicate enough to be rendered in Turbulence mode we are in. There are things that cannot be said aloud — no manifesto can handle the light weight of the message — the message cannot be broadcast nor encoded to be safe; and sound is the void…. The part curated by Amirali Ghasemi includes works by
Mohammad Abbasi, Erfan Abdi, Makan Ashgvari, Ghazaleh Bahiraie, Amir Bastan, Pouya Ehsaei, Golnaz Esmaili, Bahar Fattahi, Arvin H. Kamal, Tala Madani, Mahan Moalemi, Amirali Mohebbinejad, Photomat, Bita Razavi & Jaakko Karhunen, Sona Safaei, Mohsen Saghafi, Ali Samadpour, Mamali Shafahi, Melika Shafahi, Melodie Zad, Zoha Zokaei, and Niloufar Zolfaghari.
Mise en abyme is a stand-in for the void, a figure opening the subjective fissures of national states, and performatively destabilizing positions of power — the “I”s are focused on the potentialities of arousals and upheavals. The program curated by Sandra Skurvida features works conditioned by the aporias of recent social, political, and ideological insurrections around the world and with reflection on Iran:
Morehshin Allahyari, Mehraneh Atashi, Maneli Aygani, Bahar Behbahani, Negar Behbahani, caraballo-farman,
But not all parts are those of art. As Michael Hardt and Antonio Negri suggested in their recent Declaration, engaged practice “allows us to turn our attention away from the video screens and break the spell the media hold over us. It supports us to get out from under the yoke of the security regime and become invisible to the regime’s all-seeing eye. It also demystifies the structures of representation that cripple our powers of political action.”
THE INVISIBLE PRESENT
Curated by Amirali Ghasemi/Parkingallery Projects, Tehran
The Invisible Present organized by Sanaz Mazinani and presented by Stephen Bulger Gallery, is the first screening of Iranian video art in Toronto. The series which was conceptualized and curated by Amirali Ghasemi of Parkinggallery in Tehran introduces the vibrant new wave video art scene in Iran. This particular program of two forty minute presentations highlights the use of various disciplines, such as narrative fiction, documentary, experimental, animation, performance and photography. The artists—most of whom are younger than 35—work within Iran and across the globe. The Invisible Present sheds light on a generation that can not be plainly defined and is often harshly targeted internationally; a generation which seeks to be present and exercise their significant liberty to experiment, while being invisible to many.
The program will be followed by a Question & Answer period with Curator, AmirAli Ghasemi and artists, Mani Mazinani, Taimaz Moslemian and Sona Safaei.
Abbas Akhavan | Amirali Ghasemi | Anahita Hekmat | Zeynab Izadyar | Gelare Khoshgozaran | Mani Mazinani | Payam Mofidi | Amirali Mohebbinejad | Taimaz Moslemian | Tara Najd Ahmadi | Shadi Noyani | Shirin Sabahi | Sona Safaei | Bahar Samadi |
Please RSVP as seating is limited
CAMERA/ Stephen Bulger Gallery
1026 Queen Street West
PART 1 (45 mins)
Shadi Noyani – The Iron Heel (4 min)
Shirin Sabahi – Swede Home (14 min)
Amirali Mohebbinejad – My Calm Town (6 min)
Taimaz Moslemian – Beard (4 min)
Tara Najd Ahmadi – Measuring the Level of Resisitance (4 min)
Anahita Hekmat – Apparition IV & V (3 min)
Zeynab Izadyar – Cut (1 min)
Sona Safaei – Decenter (1 min)
Gelare Khoshgozaran – Why (15 min)
PART 2 (40 mins)
Payam Mofidi – Poeticide (11 min)
Abbas Akhavan – August 2006 (8 min)
Sona Safaei – Alphabet (1:25 min)
Bahar Samadi – The Memory (2 min)
Mani Mazinani – Screen Scene (14 min)
Amirali Ghasemi – Coughing and a bit of Scratching (3 min)
Sona Safaei – Grid (1:40 min)